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Michael Birnbaum

Course Syllabus

  • Welcome to Mr. Birnbaum’s 11th Grade English Class: Advanced Placement Language & Composition for the       2024-2025 School Year!

                                Extra Help: Fridays @7AM

                                      Office: Room 235

     

    I would like to extend a warm welcome to all my students to Advanced Placement English: Language and Composition, a most challenging course that focuses on the art of rhetoric and the craft of writing! What is rhetoric you ask? Rhetoric can be defined as the faculty of observing in any given case the available means of persuasion. In this respect, everything you read or observe, such as an advertisement, is for the purpose of persuasion, in which everything can be considered an argument. When the term argument is used in class, it suggests a point of view to be accepted, not a physical altercation or an inappropriate exchange of words.

     

    Required Materials:

    Please have a Writer’s Notebook. This can be an individual journal or a designated section of a 5-subject notebook. This will be a place to write and record your creative ideas for writing topics that will at times culminate into formal writing assignments. I will not physically collect the Writer’s Notebook, nor are you expected to share or pass them along to another classmate. If we share our writing, it will be presented orally.

    Grading Policy:

    Each quarter will account for 22.5% of your final grade leaving 10% for our Regents and Final Exams.

    All quarter grades will fall into one of the following categories:

    • Product: 70%
      • Papers
      • Projects
      • Presentations
      • Exams
      • Quizzes

     

    • Process: 30%
      • Classwork
      • Homework
      • Writer’s Notebook

     

    ***ALL LATE WORK WILL RESULT IN A FIVE (5) POINT DEDUCTION FOR EACH DAY THE ASSIGNMENT IS NOT SUBMITTED***

    Extra Help Policy:

    Extra help is offered on Friday mornings in 235 7:00-7:40.

     

     

    Digital Literacy:

    In our multimodal society, the term “literacy” no longer refers exclusively to the reading and writing of printed texts. Scholars, educators, and professionals across disciplines are recognizing the importance of digital literacy to citizenship, education, information-sharing, and community-building. In response, this course will help deepen your understanding of a variety of digital writing technologies and to consider the ways in which our perceptions of self and other are mediated through these and other technologies. Over the course of the year, you will craft and manage a digital identity while you learn about and experiment with a variety of digital composition tools. We will discuss the benefits and risks associated with digital foot printing and will discuss the importance of self-literacy in a digital culture, particularly as it pertains to managing an online identity. In short, this course aims to help you develop not only the skills involved with operating the technologies, but the rhetorical and critical attitude involved with being content-producers and critical analysts of technology.

    Laptop Responsibility:

    Computers are ubiquitous and will be an integral part of your future education. This class will rely heavily on your devices for daily activities. You are expected to come to class with a fully charged computer every day. You will receive a daily preparedness grade that will count towards your “Process” grade each quarter. They are also our vessel for our virtual learning days.

    Our Platforms:

    Work may be assigned through TEAMS and in class; therefore, it is imperative before leaving class each day to make certain you are aware of assignments and due dates.  This includes homework assignments, classwork assignments, and formal assessments. If I make an edit to an assignment on TEAMS, you should be in receipt of a Notification. When in doubt, email me!

    We will also be using OneNote as a class notebook/resource. Please make sure to stay organized!

    Familiarity with Microsoft Office and OneDrive will be essential in this class.     

    Plagiarism and Academic Integrity:

    In order to teach proper citations, all papers will be turned in through Turnitin.com. As the final English course prior to college, it’s this course’s duty to teach proper citations to avoid both intentional and unintentional plagiarism for this course and beyond. Using this program to teach rather than to punish is an important component of Senior English; however, egregious and/or repeated plagiarism will be subjected to the district’s policy found in the “Code of Conduct.”

    Text Complexity and Diversity

    The non-fiction and imaginative works that appear on the Advanced Placement Readings lists are challenging, college-level reading for mature, discerning students.  The purpose of a literary work is not to please, but to make the reader think; not to affirm the reader’s beliefs, but, rather, to challenge them, so that they might be affirmed or rejected.  Each work of art is an expression of the human experience in all its richness—its diversity—its conflicting opinions. Some literary works at this level may be seen by some as dark and depressing; however, a mature reader knows that light and dark, pleasure and pain, joy and sadness are inextricably intertwined as part of the human experience, each defining and making possible the alternative. The themes of these diverse works attempt to question life’s important issues: the nature of man, the purpose of life, the existence of a higher power, the acquisition of knowledge and wisdom, the moral dilemma of good and evil and more.  Students and/or parents who object to a particular work either on the in-class or out-of-class reading list may, after contacting the teacher, elect to substitute a work chosen by the teacher which is equally rigorous and which fulfills the objectives of the assignment.  However, no AP work will be removed from the in-class or out-of-class list.

    Quarterly Overview

     

    Quarter 1: (09/05-11/08)

    • An introduction of the fundamentals of rhetoric and the available means for analysis and composition.  Focus is on Aristotle’s Rhetorical Triangle for discourse, which includes the three modes of persuasion: ethos, pathos, and logos.
    • Included in the introduction to this course is SOAPSTone for annotation and conducting close readings, rhetorical tools and devices including but not limited to: anaphora, antithesis, antimetabole, litotes, hyperbole, polysyndeton, asyndeton, metonym.
    • Students study diction, including the distinctions between formal and informal diction and how diction establishes tone.
    • Texts for rhetorical analysis include but are not limited to the following:
    • Speeches and Letters: Lou Gehrig’s Farewell Speech, George W. Bush’s Address to the Nation, Albert Einstein’s Letter to Phyllis
    • Selected texts from The Transcendentalist: Ralph Waldo Emerson’s, “Self-Reliance”
    • Henry David Thoreau’s, “Where I Lived and What I Lived For”
    • Personal Essay
    • E.B. White’s, “Once More to the Lake”
    • Students learn to craft their own personal essay using rhetorical devices and supporting a twofold claim with personal anecdote, evidence, and a counterclaim.

     

    Quarter 2: (11/12-01/24)

    • The second marking period continues to focus on the classic nonfiction essay. Students use the selected texts this quarter (see below) to identify rhetorical devices and how they help the writer achieve his/her purpose in terms of an argument.
    • Texts for analysis include:
    • Jonathan Swift’s, “A Modest Proposal”
    • Martin Luther King Jr.’s, “Letter From Birmingham Jail”
    • George Orwell’s, “Shooting an Elephant”
    • As the course progresses, students further expand their knowledge of argument by studying the elements of Mystery, including: inductive vs. deductive reasoning, syllogisms, common fallacies, types of claims, types of warrants, types of evidence, support, backing, counter arguments and refutation backing, counter arguments and refutation
    • Students learn how to craft a classical argument.
    • ELA Regents 21 January 2025 @ 9:15 AM

     

     

     

     

     

    Quarter 3 (01/27-04/04)

    • The third marking period unit of study focuses on the deterioration and evolution of the English Language. A seed text used is George Orwell’s, 1984 and “Politics and the English Language.”
    • Other works include the poetry of Naomi Shihab Nye, specifically, “Why I Could Not Accept Your Invitation” and “For Mohammed Zeid of Gaza, Age 15”.
    • “Superman and Me” by Sherman Alexie
    • “I Know Why the Caged Bird Cannot Read” by Francine Prose
    • Various Poetry
    • Various lessons center on culprits of the deterioration of language such as, Gobbledygook and euphemisms, bombastic language, slang, pretentious diction; while other lessons focus on style and the Dos of writing, such as precision and clarity, the economy of words, traditional sentence structure vs. stylistic structure (breaking the rules once you know the rules) to achieve a certain effect
    • Students learn how to write a synthesis essay and evaluate sources

     

    Quarter 4 (04/07-6/25)

    • AP Language and Composition Exam 07 May 2025 @ 8:00 AM
    • The fourth quarter of study takes students back to the world of literature with a rhetorical slant, in which they no longer read just for a literary analysis, but also a rhetorical analysis: How does the author’s language help express his/her theme or develop his/her character or advance the plotline.
    • Text selection for this unit may include Voltaire’s satirical novella, Candide, George Bernard Shaw’s, Pygmalion, or Shakespeare’s, Hamlet
    • Students write a classical argument as literary criticism, in which they find and evaluate sources to include as both evidence and support for their claims.
  • Course Objective: This course serves as the first honors course offered in the English department and uses a humanities-based approach, asking students to grapple with historical events and topics, while incorporating all needed literacy and language skills. Thematic units focusing on the exploration of the human condition allow for deep analysis of classic and contemporary texts of varying genres. Writing workshops address all grade-level standards, with a focus on non-narrative non-fiction writing. There will be a heavy volume of informational texts throughout the year as we focus on rhetoric and argumentation. A large portion of the course will center on forming and defending arguments from both written and oral means.

                                 

    Mission Statement: We will use literature to analyze the human condition through a historical lens during politically adverse times in America. This mission statement will guide our units of study throughout the year. We will refer back to this statement through essential questions when reading whole class works. The workshop structure will allow us to maximize our time together and focus on important themes and units of writing during the year.

    Required Materials:

    • Your charged school computer
    • A marble notebook—this will serve as your writer’s notebook.

    Grading Policy: eSchool will serve as a live progress report throughout the school year. Please continue to check it on a weekly basis to see your progress and any work you might need to make up.

    All quarter grades will fall into one of the following categories and account for 22.5% of your cumulative average, leaving a combined 10% for our midterm and final examinations:

    • Product: 70%
      • Papers
      • Projects
      • Presentations
      • Exams

    • Process:  30%
      • Classwork
      • Homework
      • Quizzes
      • Postings
      • Short Writing Pieces

    Portfolio: This year, you will be maintaining a digital writing portfolio. The course itself will focus a lot on writing. In today’s world, it is important to keep a digital portfolio that enables your works to go through the writing process. Each quarter, you will be required to include a minimum of five writing assignments with three of these being more formal papers. You will be given a quarterly grade based on your portfolio, so it is your responsibility to maintain this throughout the year.

    Writer’s Notebook: Throughout the year, a separate notebook will be kept for various writings. Although we have fully embraced the personal smart devices this year, it is important to continue to write. Although these writings will be seen as informal, they are pivotal to your success as a writer. It is expected that you maintain a strong notebook as it will receive a grade every quarter.

    Independent Reading: Scholars agree that the average 8th grader should read at least 25 books per year. Independent reading is an important feature for any lifelong reader. It is expected that you have an independent reading book at all times. Each quarter, every student is responsible for one “Book Review” submission on the course webpage. This will also serve as a “Goodreads” dialogue for the class. Please utilize this as a community of readers.

    Laptop Responsibility: Computers are ubiquitous and will be an integral part of your future education. This class will rely heavily on your devices for daily activities. You are expected to come to class with a fully charged computer every day. You will also be submitting daily classwork via OneNote and Teams. You will receive a daily preparedness grade that will count towards your Process Grade each quarter. They are also our vessel for Virtual Learning.

    Extra Help Policy: Extra help is offered on Friday mornings in 235 7:00-7:40.

    Absence Policy: Any missed work due to a legal absence is to be made up within two days of a student’s return. The student is required to attend the next available Extra Help session to clarify expectations. If this presents a conflict, the student must communicate this with the teacher and together they will work up an accommodation.

    Late Policy: Late work will be penalized 5 points off every school day it is late.

    Literature: Each quarter we will be exploring works of literature linked by a common theme. As we read our primary text, we will be reading various companion informational texts to better understand the historical context of these primary texts, which will allow us a deeper and more focused analysis.

    *Please note that these works are subject to change throughout the year*

    • Quarter 1 (09/05-11/08): Throughout the quarter, we will be focusing on rhetoric with a deep analysis on advertising and the media. As we navigate the use of language and imagery, we will be focusing on two essential texts, Animal Farm by George Orwell and Cyrano de Bergerac by Edmond Rostand. Within both of these texts, our essential question will be: “How is language power?”

    • Quarter 2 (11/12-1/24): This quarter is a look into two texts that are often noted as the cornerstones of literature. Through an analysis of the time in which the texts were written, we will analyze author’s intent on their works. Our first text, Of Mice and Men by John Steinbeck, will be an exploration of the Great Depression and marginalized voices of the 1930’s. Our second text, To Kill a Mockingbird by Harper Lee, will be an investigation of many symbols of mid-century modern America. As a time capsule of a then adverse-America, we will be using a lot of informational texts to analyze the social reasonings that Harper Lee wrote her prose.

    • Quarter 3 (01/27-04/04): In this quarter, we will be exploring two works of nonfiction that are rooted in the Holocaust. We will be reading Night by Elie Wiesel and The Diary of Anne Frank by Frances Goodrich. Both texts serve as commentary from different experiences of the Holocaust. Together, we will look closely at the author’s imagery and themes to further understand why they wrote their respective texts. This will also aim to enrich your experience on the 8th grade trip.

    • Quarter 4 (04/07-06/25): In our final quarter, we will be looking at the social commentary of our primary texts. Our first text, Flowers for Algernon by Daniel Keyes, will focus in the ethics of scientific exploration and medicine. Through a lot of supplementary informational texts, we will be exploring the deeper meaning of these texts, and we will be putting them in dialogue with a lot of modern-day issues. Our second text of the quarter will be A Midsummer Night’s Dream. This will be an introduction to William Shakespeare as we dive into his world and language. We will be exploring a lot of his themes and motifs as we navigate through the language of the text.